Wednesday, May 6, 2020
Study of Dosso Dossis Jupiter, Mercury and Virtue Essay
Study of Dosso Dossiââ¬â¢s Jupiter, Mercury and Virtue Dosso Dossi (c.1486-1542) was a Renaissance painter from the city of Ferrara in Northern Italy. Collaborating with his brother Battista, Dosso created some of the most groundbreaking yet baffling works for the dukes of Ferrara. Dossoââ¬â¢s paintings, however, remained largely unheard of apart from occasional appearances in academic journals, until a series of traveling exhibitions in 1999 brought the artist back in attention. Heavily influenced by High Renaissance masters Leonardo and Michelangelo, as well as by Venetian painters, Dosso adopted a rich yet still subtle colour palette. What set him apart from his peers, on the other hand, were his atmospheric and ââ¬Å"impressionisticâ⬠landscapeâ⬠¦show more contentâ⬠¦The effect is particularly striking on Virtueââ¬â¢s shortened right arm, which alludes to the space beyond the principal plane. Above all, the most distinctive feature in Dossoââ¬â¢s painting is its imaginative treatment of mythological subjects. As indicated by a good number of art historians, Virtue, here personified as a goddess, turns out to have been mistreated and abused by Fortune and her companions. Virtueââ¬â¢s friends, who were unable to protect her and thus fled, left her to be ââ¬Å"beaten, stripped bare, and dragged through the mudâ⬠(Fiorenza, 152) by Fortune and her fellow bullies. Immediately following Virtueââ¬â¢s mistreatment is the scene depicted on canvas: Virtue comes to Jupiter to inform him of Fortuneââ¬â¢s crime, when she is given the trivial excuse that the gods are busy making sure that the butterflies have beautifully painted wings. Amusingly, this brief background story is practically the only part that the art historians agreed upon. Early interpretations include a complicated love story between Mercury and Virtue, as well as the possible allusion that Jupiter is in fact a portrait of Duke Alfonso I dââ¬â¢Este, the commissioner of the painting. (Fiorenza, 29) Some even suggested the painting was created to celebrate the artistââ¬â¢s
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.